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Channel: Issue 24 – InVisible Culture
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Hanan al-Cinema: Affections for the Moving Image

Reviewed by Najmeh Moradiyan Rizi, University of Kansas Laura U. Marks. Hanan al-Cinema: Affections for the Moving Image. Cambridge, MA: MIT Press, 2015. Hardcover. 416 pp. In recent decades Arab...

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Alone Together

Artwork by Erika Raberg. Alone Together, 2014, HD video, single channel projection, 3 minutes, looped. Artist Statement Alone Together considers the idea of partnership in opposition. Drawing from...

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Fieldnotes from the Hy Meisel Slide Collection

Written by Ali Feser An inquiry into the senses, in this light, directs us beyond the faculties of a subject to the transfers, exchanges, and attachments that hinge the body to its environment. Objects...

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A Stranger in the Gallery: Conceptions of the Body Through Art and Theory

Written by Sarah W. Abu Bakr Objects of Horror and Desire The Western gallery has historically been the pedestal for notions of the classical body, perfected in the Renaissance through the hands of...

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Hans Richter’s Rhythmus Films in G: the Collective Cinematographic

Written by Erin McClenathan Filmmaker Hans Richter was one of the founding contributors to G: Materials for Elemental Form-Creation (G: Material zur elementaren Gestaltung) and the only to stay his...

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Contributors / Issue 24: Corpus

Issue 24, Spring 2016 Sarah W. Abu Bakr is a dual degree Art Education and Women’s, Gender, and Sexuality Studies PhD candidate. Sarah is half Palestinian, half Kuwaiti, and holds an MFA in...

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Introduction / Issue 24: Corpus

In spring 2015, when the spread of Ebola invigorated an immune response for countries such as the United States to suspend air-travel in the face of a deadly epidemic, we speculated on vulnerabilities...

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